Nothing else sounds like it. A chorus of the dead, and grief made almost bearable by strangeness.

Lincoln in the Bardo
His mind was freshly inclined toward sorrow; toward the fact that the world was full of sorrow; that everyone labored under some burden of sorrow.
Why read it
In 1862, Abraham Lincoln's beloved eleven-year-old son dies, and the grieving president visits the crypt at night to hold the boy's body, watched by a chorus of the restless dead who refuse to admit they have passed.
Saunders sets his novel in a single graveyard night, in the Tibetan-inspired bardo between life and rebirth, where ghosts narrate in a polyphonic clamor of voices. It is a formally daring meditation on grief, mortality, and the reluctance of the dead and the living alike to let go.
The 2017 debut novel from acclaimed short-story writer George Saunders won the Booker Prize that year. It is built partly from real and invented historical fragments about the death of Willie Lincoln.
- 01
The bardo between worlds
What awaits is a purgatorial realm where spirits cling to unfinished lives, denying they are dead.
- 02
A chorus of voices
The story is told through hundreds of fragmentary monologues that build a whole world from many mouths.
- 03
A father's grief
Lincoln's private mourning becomes a portrait of universal, unbearable loss.
- 04
Learning to let go
The dead must accept their passing, mirroring the living who cannot release the ones they love.
Lincoln entering the crypt at night to cradle Willie's body, a scene the ghosts watch in astonishment.
The ghosts' collective effort to help Willie's spirit move on before he is trapped forever.


